Grosse Festspielhaus – Salzburg Festival

  For Romeo Castellucci, approaching Don Giovanni means facing up to the ambiguity and complexity as well as the inner disequilibrium with which Mozart imbues his opera’s protagonist. Vitality and destruction: in this ambivalence Castellucci sees one of the fascinations of this figure. Don Giovanni doesn’t think – he acts precipitately, without drawing breath. He hurls […]

  For Romeo Castellucci, approaching Don Giovanni means facing up to the ambiguity and complexity as well as the inner disequilibrium with which Mozart imbues his opera’s protagonist. Vitality and destruction: in this ambivalence Castellucci sees one of the fascinations of this figure. Don Giovanni doesn’t think – he acts precipitately, without drawing breath. He hurls […]

  For Romeo Castellucci, approaching Don Giovanni means facing up to the ambiguity and complexity as well as the inner disequilibrium with which Mozart imbues his opera’s protagonist. Vitality and destruction: in this ambivalence Castellucci sees one of the fascinations of this figure. Don Giovanni doesn’t think – he acts precipitately, without drawing breath. He hurls […]

  For Romeo Castellucci, approaching Don Giovanni means facing up to the ambiguity and complexity as well as the inner disequilibrium with which Mozart imbues his opera’s protagonist. Vitality and destruction: in this ambivalence Castellucci sees one of the fascinations of this figure. Don Giovanni doesn’t think – he acts precipitately, without drawing breath. He hurls […]

  For Romeo Castellucci, approaching Don Giovanni means facing up to the ambiguity and complexity as well as the inner disequilibrium with which Mozart imbues his opera’s protagonist. Vitality and destruction: in this ambivalence Castellucci sees one of the fascinations of this figure. Don Giovanni doesn’t think – he acts precipitately, without drawing breath. He hurls […]

  For Romeo Castellucci, approaching Don Giovanni means facing up to the ambiguity and complexity as well as the inner disequilibrium with which Mozart imbues his opera’s protagonist. Vitality and destruction: in this ambivalence Castellucci sees one of the fascinations of this figure. Don Giovanni doesn’t think – he acts precipitately, without drawing breath. He hurls […]