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DTSTART;TZID=Europe/Berlin:20260227T190000
DTEND;TZID=Europe/Berlin:20260227T220000
DTSTAMP:20260423T085457
CREATED:20250601T114234Z
LAST-MODIFIED:20250601T114235Z
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SUMMARY:Faust - Méphistophélès - Bayerische Staatsoper
DESCRIPTION:On his futile search for the meaning of life\, the ageing scholar Faust makes a pact with the Devil. Méphistophélès buys his soul and promises him eternal youth and love. Faust falls in love with Marguerite\, however she soon leaves him. After she has killed their child\, Marguerite succumbs to madness\, but emerges morally superior from the encounter with Faust. \nOf the numerous scorings of the most famous material in the history of German literary\, the opera by the Frenchman Charles Gounod is perhaps the best known. In the 19th century the French opera developed an immense fondness for the German material\, but it was often very free with the restructuring for the libretto. From the original the successful French librettist duo\, Michel Carré and Jules Barbier (also the authors of the text of Les Contes d’Hoffmann) actually made a most effective opera text with a pronounced dramaturgy of contrasts – drinking scenes are contrasted with intimate ballads\, soldier choirs with the church service hymns of supplication. Not least of all because of its immortal arias\, after Bizet’s Carmen\, Gounod’s Faust has become the most successful French opera. \n  \n \nwww.gbopera.it · Charles Gounod (1818-1893): “Faust” (1859)
URL:https://kyleket.com/event/faust-mephistopheles-bayerische-staatsoper-8/
LOCATION:Bavarian State Opera\, Max-Joseph-Platz 2\, Munich\, Munich\, 80539\, Germany
ATTACH;FMTTYPE=image/jpeg:https://kyleket.com/wp-content/uploads/2025/05/Munich-Faust-1-scaled.jpg
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DTSTART;TZID=America/Los_Angeles:20260227T190000
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CREATED:20250531T072209Z
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SUMMARY:Faust - Méphistophélès - Bayerische Staatsoper
DESCRIPTION:On his futile search for the meaning of life\, the ageing scholar Faust makes a pact with the Devil. Méphistophélès buys his soul and promises him eternal youth and love. Faust falls in love with Marguerite\, however she soon leaves him. After she has killed their child\, Marguerite succumbs to madness\, but emerges morally superior from the encounter with Faust. \nOf the numerous scorings of the most famous material in the history of German literary\, the opera by the Frenchman Charles Gounod is perhaps the best known. In the 19th century the French opera developed an immense fondness for the German material\, but it was often very free with the restructuring for the libretto. From the original the successful French librettist duo\, Michel Carré and Jules Barbier (also the authors of the text of Les Contes d’Hoffmann) actually made a most effective opera text with a pronounced dramaturgy of contrasts – drinking scenes are contrasted with intimate ballads\, soldier choirs with the church service hymns of supplication. Not least of all because of its immortal arias\, after Bizet’s Carmen\, Gounod’s Faust has become the most successful French opera. \n  \n \nwww.gbopera.it · Charles Gounod (1818-1893): “Faust” (1859)
URL:https://kyleket.com/event/faust-mephistopheles-bayerische-staatsoper/
LOCATION:Bavarian State Opera\, Max-Joseph-Platz 2\, Munich\, Munich\, 80539\, Germany
ATTACH;FMTTYPE=image/jpeg:https://kyleket.com/wp-content/uploads/2025/05/Munich-Faust-1-scaled.jpg
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DTSTART;TZID=Europe/Berlin:20260222T190000
DTEND;TZID=Europe/Berlin:20260222T220000
DTSTAMP:20260423T085457
CREATED:20250601T114201Z
LAST-MODIFIED:20250601T114201Z
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SUMMARY:Faust - Méphistophélès - Bayerische Staatsoper
DESCRIPTION:On his futile search for the meaning of life\, the ageing scholar Faust makes a pact with the Devil. Méphistophélès buys his soul and promises him eternal youth and love. Faust falls in love with Marguerite\, however she soon leaves him. After she has killed their child\, Marguerite succumbs to madness\, but emerges morally superior from the encounter with Faust. \nOf the numerous scorings of the most famous material in the history of German literary\, the opera by the Frenchman Charles Gounod is perhaps the best known. In the 19th century the French opera developed an immense fondness for the German material\, but it was often very free with the restructuring for the libretto. From the original the successful French librettist duo\, Michel Carré and Jules Barbier (also the authors of the text of Les Contes d’Hoffmann) actually made a most effective opera text with a pronounced dramaturgy of contrasts – drinking scenes are contrasted with intimate ballads\, soldier choirs with the church service hymns of supplication. Not least of all because of its immortal arias\, after Bizet’s Carmen\, Gounod’s Faust has become the most successful French opera. \n  \n \nwww.gbopera.it · Charles Gounod (1818-1893): “Faust” (1859)
URL:https://kyleket.com/event/faust-mephistopheles-bayerische-staatsoper-7/
LOCATION:Bavarian State Opera\, Max-Joseph-Platz 2\, Munich\, Munich\, 80539\, Germany
ATTACH;FMTTYPE=image/jpeg:https://kyleket.com/wp-content/uploads/2025/05/Munich-Faust-1-scaled.jpg
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DTSTART;TZID=Europe/Berlin:20260219T190000
DTEND;TZID=Europe/Berlin:20260219T220000
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CREATED:20250601T114133Z
LAST-MODIFIED:20250601T114134Z
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SUMMARY:Faust - Méphistophélès - Bayerische Staatsoper
DESCRIPTION:On his futile search for the meaning of life\, the ageing scholar Faust makes a pact with the Devil. Méphistophélès buys his soul and promises him eternal youth and love. Faust falls in love with Marguerite\, however she soon leaves him. After she has killed their child\, Marguerite succumbs to madness\, but emerges morally superior from the encounter with Faust. \nOf the numerous scorings of the most famous material in the history of German literary\, the opera by the Frenchman Charles Gounod is perhaps the best known. In the 19th century the French opera developed an immense fondness for the German material\, but it was often very free with the restructuring for the libretto. From the original the successful French librettist duo\, Michel Carré and Jules Barbier (also the authors of the text of Les Contes d’Hoffmann) actually made a most effective opera text with a pronounced dramaturgy of contrasts – drinking scenes are contrasted with intimate ballads\, soldier choirs with the church service hymns of supplication. Not least of all because of its immortal arias\, after Bizet’s Carmen\, Gounod’s Faust has become the most successful French opera. \n  \n \nwww.gbopera.it · Charles Gounod (1818-1893): “Faust” (1859)
URL:https://kyleket.com/event/faust-mephistopheles-bayerische-staatsoper-6/
LOCATION:Bavarian State Opera\, Max-Joseph-Platz 2\, Munich\, Munich\, 80539\, Germany
ATTACH;FMTTYPE=image/jpeg:https://kyleket.com/wp-content/uploads/2025/05/Munich-Faust-1-scaled.jpg
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DTSTART;TZID=Europe/Berlin:20260216T190000
DTEND;TZID=Europe/Berlin:20260216T220000
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CREATED:20250601T114110Z
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SUMMARY:Faust - Méphistophélès - Bayerische Staatsoper
DESCRIPTION:On his futile search for the meaning of life\, the ageing scholar Faust makes a pact with the Devil. Méphistophélès buys his soul and promises him eternal youth and love. Faust falls in love with Marguerite\, however she soon leaves him. After she has killed their child\, Marguerite succumbs to madness\, but emerges morally superior from the encounter with Faust. \nOf the numerous scorings of the most famous material in the history of German literary\, the opera by the Frenchman Charles Gounod is perhaps the best known. In the 19th century the French opera developed an immense fondness for the German material\, but it was often very free with the restructuring for the libretto. From the original the successful French librettist duo\, Michel Carré and Jules Barbier (also the authors of the text of Les Contes d’Hoffmann) actually made a most effective opera text with a pronounced dramaturgy of contrasts – drinking scenes are contrasted with intimate ballads\, soldier choirs with the church service hymns of supplication. Not least of all because of its immortal arias\, after Bizet’s Carmen\, Gounod’s Faust has become the most successful French opera. \n  \n \nwww.gbopera.it · Charles Gounod (1818-1893): “Faust” (1859)
URL:https://kyleket.com/event/faust-mephistopheles-bayerische-staatsoper-5/
LOCATION:Bavarian State Opera\, Max-Joseph-Platz 2\, Munich\, Munich\, 80539\, Germany
ATTACH;FMTTYPE=image/jpeg:https://kyleket.com/wp-content/uploads/2025/05/Munich-Faust-1-scaled.jpg
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DTSTART;TZID=Europe/Berlin:20260213T190000
DTEND;TZID=Europe/Berlin:20260213T220000
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CREATED:20250601T114044Z
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SUMMARY:Faust - Méphistophélès - Bayerische Staatsoper
DESCRIPTION:On his futile search for the meaning of life\, the ageing scholar Faust makes a pact with the Devil. Méphistophélès buys his soul and promises him eternal youth and love. Faust falls in love with Marguerite\, however she soon leaves him. After she has killed their child\, Marguerite succumbs to madness\, but emerges morally superior from the encounter with Faust. \nOf the numerous scorings of the most famous material in the history of German literary\, the opera by the Frenchman Charles Gounod is perhaps the best known. In the 19th century the French opera developed an immense fondness for the German material\, but it was often very free with the restructuring for the libretto. From the original the successful French librettist duo\, Michel Carré and Jules Barbier (also the authors of the text of Les Contes d’Hoffmann) actually made a most effective opera text with a pronounced dramaturgy of contrasts – drinking scenes are contrasted with intimate ballads\, soldier choirs with the church service hymns of supplication. Not least of all because of its immortal arias\, after Bizet’s Carmen\, Gounod’s Faust has become the most successful French opera. \n  \n \nwww.gbopera.it · Charles Gounod (1818-1893): “Faust” (1859)
URL:https://kyleket.com/event/faust-mephistopheles-bayerische-staatsoper-4/
LOCATION:Bavarian State Opera\, Max-Joseph-Platz 2\, Munich\, Munich\, 80539\, Germany
ATTACH;FMTTYPE=image/jpeg:https://kyleket.com/wp-content/uploads/2025/05/Munich-Faust-1-scaled.jpg
ORGANIZER;CN="Bavarian State Opera":MAILTO:tickets@staatsoper.de
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DTSTART;TZID=Europe/Berlin:20260208T180000
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CREATED:20250601T113955Z
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SUMMARY:Faust - Méphistophélès - Bayerische Staatsoper
DESCRIPTION:On his futile search for the meaning of life\, the ageing scholar Faust makes a pact with the Devil. Méphistophélès buys his soul and promises him eternal youth and love. Faust falls in love with Marguerite\, however she soon leaves him. After she has killed their child\, Marguerite succumbs to madness\, but emerges morally superior from the encounter with Faust. \nOf the numerous scorings of the most famous material in the history of German literary\, the opera by the Frenchman Charles Gounod is perhaps the best known. In the 19th century the French opera developed an immense fondness for the German material\, but it was often very free with the restructuring for the libretto. From the original the successful French librettist duo\, Michel Carré and Jules Barbier (also the authors of the text of Les Contes d’Hoffmann) actually made a most effective opera text with a pronounced dramaturgy of contrasts – drinking scenes are contrasted with intimate ballads\, soldier choirs with the church service hymns of supplication. Not least of all because of its immortal arias\, after Bizet’s Carmen\, Gounod’s Faust has become the most successful French opera. \n  \n \nwww.gbopera.it · Charles Gounod (1818-1893): “Faust” (1859)
URL:https://kyleket.com/event/faust-mephistopheles-bayerische-staatsoper-3/
LOCATION:Bavarian State Opera\, Max-Joseph-Platz 2\, Munich\, Munich\, 80539\, Germany
ATTACH;FMTTYPE=image/jpeg:https://kyleket.com/wp-content/uploads/2025/05/Munich-Faust-1-scaled.jpg
ORGANIZER;CN="Bavarian State Opera":MAILTO:tickets@staatsoper.de
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DTSTART;TZID=Europe/Berlin:20250708T190000
DTEND;TZID=Europe/Berlin:20250708T220000
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CREATED:20240915T141749Z
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SUMMARY:Don Giovanni - Leporello - Bayerische Staatsoper
DESCRIPTION:“Chi è morto\, voi o il vecchio?\,” jokes the servant Leporello cryptically\, after Don Giovanni has murdered “Il Commendatore”. The story of the “punished debauchee” has long since been the stuff of myth. Don Giovanni plays out in a field of tension between heaven and hell\, as opposites collide in this dramma giocoso\, set among amorous desires and the fall of angels. In this kaleidoscope of situations and characters\, there is an absolute absence of clarity\, evident alone in the fact that each of these characters lies – either to each other or to themselves. The timeless comedy motifs of role and dress change assume an oppressive ambiguity here. The master of transformation Don Giovanni\, this polyerotic hedonist\, is hard to fathom. In endless metamorphoses\, he appears just as suddenly as he then immediately disappears again. The other characters know – they need him\, as a mirror of themselves. And so for Leporello it becomes clear after his master’s death that Don Giovanni leads an eternal life and will affect ours again and again. This Don Giovanni now completes the Da Ponte cycle. “Faust” winner David Hermann stages at the Bayerische Staatsoper for the first time. General Music Director Vladimir Jurowski conducts the piece\, in which Mozart threw open the doors to a new world\, from which there can be no return. \n \nPhilharmonia Orchestra · Don Giovanni: Overture
URL:https://kyleket.com/event/don-giovanni-leporello/2025-07-08/
LOCATION:Bavarian State Opera\, Max-Joseph-Platz 2\, Munich\, Munich\, 80539\, Germany
ATTACH;FMTTYPE=image/jpeg:https://kyleket.com/wp-content/uploads/2024/09/Munich.jpeg
ORGANIZER;CN="Bavarian State Opera":MAILTO:tickets@staatsoper.de
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DTSTART;TZID=Europe/Berlin:20250706T190000
DTEND;TZID=Europe/Berlin:20250706T220000
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CREATED:20240915T141749Z
LAST-MODIFIED:20250311T151306Z
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SUMMARY:Don Giovanni - Leporello - Bayerische Staatsoper
DESCRIPTION:“Chi è morto\, voi o il vecchio?\,” jokes the servant Leporello cryptically\, after Don Giovanni has murdered “Il Commendatore”. The story of the “punished debauchee” has long since been the stuff of myth. Don Giovanni plays out in a field of tension between heaven and hell\, as opposites collide in this dramma giocoso\, set among amorous desires and the fall of angels. In this kaleidoscope of situations and characters\, there is an absolute absence of clarity\, evident alone in the fact that each of these characters lies – either to each other or to themselves. The timeless comedy motifs of role and dress change assume an oppressive ambiguity here. The master of transformation Don Giovanni\, this polyerotic hedonist\, is hard to fathom. In endless metamorphoses\, he appears just as suddenly as he then immediately disappears again. The other characters know – they need him\, as a mirror of themselves. And so for Leporello it becomes clear after his master’s death that Don Giovanni leads an eternal life and will affect ours again and again. This Don Giovanni now completes the Da Ponte cycle. “Faust” winner David Hermann stages at the Bayerische Staatsoper for the first time. General Music Director Vladimir Jurowski conducts the piece\, in which Mozart threw open the doors to a new world\, from which there can be no return. \n \nPhilharmonia Orchestra · Don Giovanni: Overture
URL:https://kyleket.com/event/don-giovanni-leporello/2025-07-06/
LOCATION:Bavarian State Opera\, Max-Joseph-Platz 2\, Munich\, Munich\, 80539\, Germany
ATTACH;FMTTYPE=image/jpeg:https://kyleket.com/wp-content/uploads/2024/09/Munich.jpeg
ORGANIZER;CN="Bavarian State Opera":MAILTO:tickets@staatsoper.de
GEO:48.139799065182;11.578791631733
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END:VEVENT
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DTSTART;TZID=Europe/Berlin:20250704T190000
DTEND;TZID=Europe/Berlin:20250704T220000
DTSTAMP:20260423T085457
CREATED:20240915T141749Z
LAST-MODIFIED:20250311T151306Z
UID:10000181-1751655600-1751666400@kyleket.com
SUMMARY:Don Giovanni - Leporello - Bayerische Staatsoper
DESCRIPTION:“Chi è morto\, voi o il vecchio?\,” jokes the servant Leporello cryptically\, after Don Giovanni has murdered “Il Commendatore”. The story of the “punished debauchee” has long since been the stuff of myth. Don Giovanni plays out in a field of tension between heaven and hell\, as opposites collide in this dramma giocoso\, set among amorous desires and the fall of angels. In this kaleidoscope of situations and characters\, there is an absolute absence of clarity\, evident alone in the fact that each of these characters lies – either to each other or to themselves. The timeless comedy motifs of role and dress change assume an oppressive ambiguity here. The master of transformation Don Giovanni\, this polyerotic hedonist\, is hard to fathom. In endless metamorphoses\, he appears just as suddenly as he then immediately disappears again. The other characters know – they need him\, as a mirror of themselves. And so for Leporello it becomes clear after his master’s death that Don Giovanni leads an eternal life and will affect ours again and again. This Don Giovanni now completes the Da Ponte cycle. “Faust” winner David Hermann stages at the Bayerische Staatsoper for the first time. General Music Director Vladimir Jurowski conducts the piece\, in which Mozart threw open the doors to a new world\, from which there can be no return. \n \nPhilharmonia Orchestra · Don Giovanni: Overture
URL:https://kyleket.com/event/don-giovanni-leporello/2025-07-04/
LOCATION:Bavarian State Opera\, Max-Joseph-Platz 2\, Munich\, Munich\, 80539\, Germany
ATTACH;FMTTYPE=image/jpeg:https://kyleket.com/wp-content/uploads/2024/09/Munich.jpeg
ORGANIZER;CN="Bavarian State Opera":MAILTO:tickets@staatsoper.de
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END:VEVENT
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DTSTART;TZID=Europe/Berlin:20250630T190000
DTEND;TZID=Europe/Berlin:20250630T220000
DTSTAMP:20260423T085457
CREATED:20240915T141749Z
LAST-MODIFIED:20250311T151306Z
UID:10000180-1751310000-1751320800@kyleket.com
SUMMARY:Don Giovanni - Leporello - Bayerische Staatsoper
DESCRIPTION:“Chi è morto\, voi o il vecchio?\,” jokes the servant Leporello cryptically\, after Don Giovanni has murdered “Il Commendatore”. The story of the “punished debauchee” has long since been the stuff of myth. Don Giovanni plays out in a field of tension between heaven and hell\, as opposites collide in this dramma giocoso\, set among amorous desires and the fall of angels. In this kaleidoscope of situations and characters\, there is an absolute absence of clarity\, evident alone in the fact that each of these characters lies – either to each other or to themselves. The timeless comedy motifs of role and dress change assume an oppressive ambiguity here. The master of transformation Don Giovanni\, this polyerotic hedonist\, is hard to fathom. In endless metamorphoses\, he appears just as suddenly as he then immediately disappears again. The other characters know – they need him\, as a mirror of themselves. And so for Leporello it becomes clear after his master’s death that Don Giovanni leads an eternal life and will affect ours again and again. This Don Giovanni now completes the Da Ponte cycle. “Faust” winner David Hermann stages at the Bayerische Staatsoper for the first time. General Music Director Vladimir Jurowski conducts the piece\, in which Mozart threw open the doors to a new world\, from which there can be no return. \n \nPhilharmonia Orchestra · Don Giovanni: Overture
URL:https://kyleket.com/event/don-giovanni-leporello/2025-06-30/
LOCATION:Bavarian State Opera\, Max-Joseph-Platz 2\, Munich\, Munich\, 80539\, Germany
ATTACH;FMTTYPE=image/jpeg:https://kyleket.com/wp-content/uploads/2024/09/Munich.jpeg
ORGANIZER;CN="Bavarian State Opera":MAILTO:tickets@staatsoper.de
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DTSTART;TZID=Europe/Berlin:20250627T190000
DTEND;TZID=Europe/Berlin:20250627T223000
DTSTAMP:20260423T085457
CREATED:20240915T141749Z
LAST-MODIFIED:20250311T151306Z
UID:10000179-1751050800-1751063400@kyleket.com
SUMMARY:Don Giovanni - Leporello - Bayerische Staatsoper
DESCRIPTION:“Chi è morto\, voi o il vecchio?\,” jokes the servant Leporello cryptically\, after Don Giovanni has murdered “Il Commendatore”. The story of the “punished debauchee” has long since been the stuff of myth. Don Giovanni plays out in a field of tension between heaven and hell\, as opposites collide in this dramma giocoso\, set among amorous desires and the fall of angels. In this kaleidoscope of situations and characters\, there is an absolute absence of clarity\, evident alone in the fact that each of these characters lies – either to each other or to themselves. The timeless comedy motifs of role and dress change assume an oppressive ambiguity here. The master of transformation Don Giovanni\, this polyerotic hedonist\, is hard to fathom. In endless metamorphoses\, he appears just as suddenly as he then immediately disappears again. The other characters know – they need him\, as a mirror of themselves. And so for Leporello it becomes clear after his master’s death that Don Giovanni leads an eternal life and will affect ours again and again. This Don Giovanni now completes the Da Ponte cycle. “Faust” winner David Hermann stages at the Bayerische Staatsoper for the first time. General Music Director Vladimir Jurowski conducts the piece\, in which Mozart threw open the doors to a new world\, from which there can be no return. \n \nPhilharmonia Orchestra · Don Giovanni: Overture
URL:https://kyleket.com/event/don-giovanni-leporello/2025-06-27/
LOCATION:Bavarian State Opera\, Max-Joseph-Platz 2\, Munich\, Munich\, 80539\, Germany
ATTACH;FMTTYPE=image/jpeg:https://kyleket.com/wp-content/uploads/2024/09/Munich.jpeg
ORGANIZER;CN="Bavarian State Opera":MAILTO:tickets@staatsoper.de
GEO:48.139799065182;11.578791631733
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bavarian State Opera Max-Joseph-Platz 2 Munich Munich 80539 Germany;X-APPLE-RADIUS=500;X-TITLE=Max-Joseph-Platz 2:geo:11.578791631733,48.139799065182
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